14 Great News Stories That Started Small
No story is too small to tell. No newsroom is too small to report it. Here is an account of 14 compelling stories from the European Press Prize over the years – between winners and nominees – that prove great journalism is also about amplifying the voices of the voiceless.
1. ‘Your husband voluntarily went under fire’
By Elena Kostyuchenko. 2015 Winner of the Distinguished Writing Award
Evgeny Korolenko was born in the Soviet Union in 1967 and died in Ukraine in 2014. His story sheds light on the lives of those who have crossed the border from Russia to fight – and the efforts taken to cover their traces.
2. ‘The Fear-Sick Ward’

Illustration by De Groene Amsterdammer
By Justyna Kopińska. 2016 Winner of the Distinguished Writing Award
This reportage tells the story of a highly esteemed head of a psychiatric hospital, who for two years tortured the children in her care. The story was confirmed by numerous inspections. Five years after the violence had been discovered, she was still working as a psychiatrist as well as an expert witness on mental illnesses in the same district in which she had already been charged with child maltreatment.
3. ‘No Criminal Record’
By Elena Stancu. 2016 Nominee for the Distinguished Writing Award
A case of domestic violence degenerates into murder before the very eyes of a community where people don’t interfere into someone else’s family.
4. ‘71 Lives’
By Felix Hutt. 2017 Winner of the Distinguished Writing Award
On August 27, 2015 an abandoned lorry was parked on a parking bay on the motorway in front of Vienna. In its load compartment: the corpses of 71 refugees. Their death becomes a symbol of failed refugee policy and unscrupulous smuggling. But the dead are soon forgotten. Who were these people? ’71 Lives’ reconstructs the tragedy.
5. ‘“Oh Lord, I hope that you can forgive me. I want a new life” – The Murder of Nercy’

Photo: Joachim Ladefoged
By Ida Nyegård Espersen. 2018 Nominee for the Distinguished Reporting Award
Dehumanisation: 16-year-old Nercy Galicio wrote for the last time in her diary on April 16, 2017. Two days later she was found dead on a roadside, killed by three shots. More than 7,600 people had been killed since the Filipino president declared war on narcotic drugs. “This is how a society looks when its leaders normalise killings.”
6. ‘Jailed For A Like’
By Natalia Antelava, Katerina Ponomareva, Alexandra Filippova, Sofiya Voznaya, Uch A and Katerina Patin. 2018 Nominee for the Distinguished Reporting Award
The ‘Jailed for a Like’ series tells the stories of ordinary Russians who have been prosecuted and even imprisoned for their posts and shares on social media. As the Kremlin retains a firm grip on the traditional media in Russia, these arrests have widely been seen as an attempt to stifle free speech online.
7. ‘Sex abuse scandal in French Catholic Church’
By Mathieu Martiniere, Daphné Gastaldi and Mathieu Périsse. 2018 Nominee for the Investigative Reporting Award
The French Catholic Church has for years protected priests (and others under its authority) who were accused of sexual assaults and pedophile crimes in particular. This Mediapart investigation reveals how 25 bishops, five of whom are still active, were directly involved in protecting 24 people, mostly priests, accused of sexual abuse.
8. ‘Fifty-Six Days of Separation’

Photo: Meridith Kohut for Der Spiegel Magazine
By Katrin Kuntz, Marian Blasberg and Christoph Scheuermann. 2019 Winner of the Distinguished Reporting Award
A mother and her 6-year-old son fled to Texas from the violence in their homeland of Honduras. When they arrived, young Samir was ripped out of his mother’s arms. Two months later, they found each other again, but something had changed.
9. ‘Prisoners of the fourth floor’
By Ewa Wołkanowska-Kołodziej. 2019 Nominee of the Distinguished Reporting Award
This piece describes a large – and growing – group of Poles that is virtually nonexistent in public debate: the elderly who haven’t left their homes for years for one simple reason: the multi-story buildings they live in have no elevators. The fourth floor is an exotic and sad world, reached by hardly anyone or anything.
10. ‘The Uyghur women fighting China’s surveillance state’
By Isobel Cockerell. 2020 Winner of the Distinguished Reporting Award
China is waging a digital war on its Muslim minorities. Xinjiang has become a suffocating information vacuum. But in a small neighborhood in Istanbul, a digital resistance has begun.
This was one of a few entries the Press Prize has received from Georgia, which showcases the lasting impact even small countries and publications can have on European journalism.
11. ‘‘I’ve seen death in this city, but nothing as sad as this’: how a ferry disaster exposed the corruption devastating Iraq’

Photo: Dimitar Dilkoff/AFP/Getty Images
By Ghaith Abdul-Ahad. 2020 Nominee for the Distinguished Reporting Award
After surviving years of terror under Islamic State rule, the people of Mosul were just beginning to live their lives again when tragedy struck in March 2019. A ferry carrying holiday-makers to a pleasure island on the Tigris overturned in fast-moving water, and 128 people – many of them children – drowned. Ghaith Abdul-Ahad tracked down three people who had been on the ferry with their families when it sank, and, with razor-sharp observation and exquisite humanity, recounts the unbearably sad stories of their trauma and loss. It is an original and unforgettable account of people who feel utterly betrayed, and of how a society constantly faced by tragedy copes with the injustice that trails in its wake.
12. ‘The Bangladeshi shopkeepers who took on Sicily’s Cosa Nostra mafia’
By Ismail Einashe. 2020 Nominee for the Distinguished Reporting Award
Bangladeshi shopkeepers suffered years of threats and extortion in Palermo. Then they stood up to the gangsters — and won.
13. ‘“Living hurts”: Doom and Gloom on a ‘Dry Day’ in Loyev’
By Aleksey Karpeka. 2020 Nominee for the Distinguished Reporting Award
In this article, Aleksey Karpeka travels to the Belarusian city of Lóyev in order to document the city’s first ‘Day of Sobriety’. There, he’s able to document, despite the animosity of the locals towards himself, the underlying hopelessness and disdain for typical life, for which alcohol provides a respite. Additionally, Karpeka finds those who believe earnestly in the notion of a ‘ Dry Day’, but struggle to effect change. In this peek into provincial life, Karpeka documents both the banality of and indifference to one day in the life of a small Belarusian city where the sale of alcohol was banned for a mere 24 hours.
This was the first-ever Press Prize entry from Belarus.
14. ‘100 Days in Europe’

Photo: Francesco Giusti/Prospekt
By Francesco Battistini. 2020 Nominee for the Distinguished Reporting Award
There is a specialized clinic in Iasi, Romania, where hundreds of caregivers have been hospitalized in past years because of depression and other psychiatric disorders. Romanians comprise the largest group of migrant workers in Italy. But when they go back to Romania, usually these women find broken families, grown-up sons who do not recognize them, and husbands who squandered their money or left them. The mental disease that results from the impact that work-based migration has on these women is called the “Italy Syndrome”.
Journalists in Europe: have you or a colleague written a great story in the past year? Entry period for the European Press Prize 2021 is open until December 11.
Obituary: Sir Harold Evans
It is with great sadness that the European Press Prize announces the loss of our first ever judge Sir Harold Evans.
“Peter Preston asked me to chair the panel of judges for the European Press Prize at its inception, a post I proudly held until last year. Reading all the nominated work was always a thrilling experience… Think you know Europe? I did, as a long-time advocate of the European idea. I appreciate how much I learned – and enjoyed – of the ferment of life revealed by the fine collation of social, political, and economic reporting and commentaries; intellectual cartography and journalism of the highest order. ‘So this is Europe!’, I thought.”
– Harry Evans
Sir Harold Evans was the first to sign up in 2013, joining our founders in their mission to establish the first pan-European award of Pulitzer-like stature.
Harry was one of the greatest journalists of his generation, editor of The Sunday Times for almost 15 years, founder of Condé Nast Traveler in 1986 and journalist for the Manchester Evening News, The Northern Echo, The Sunday Times, The Atlantic Monthly and The New York Daily News over a span of 50 years.
He was the first to sign up as a judge for the newly-founded Press Prize in 2013 and joined our founders in their mission to establish the first pan-European award of Pulitzer-like stature. Harry was the heart and face of our panel of judges, representing Reuters where he was editor-at-large and always an avid admirer of brave, trailblazing and – preferably – earth-shattering journalism. He will be sorely missed.
Read the full obituary of Reuters here, the New Yorker article here, and the one written by Alan Rusbridger, our current Chair of the Panel of Judges, here.
“Harry was a wonderful chair, passionate, witty but demanding, always with a sharp eye on the best stories. British and European journalism at its best. It was an honour to sit at his side. RIP.”
– Sylvie Kauffman, his successor as Chair of the Panel of Judges
“Harry Evans didn’t just do the journalism at the European Press Prize brilliantly but the fun and life as well. The dinners, the fabulous tweed suit, his stories rollicking for Brexit opinion columns in the New York Times to dinners at the White House.”
– Maggie O’Kane, chair of the board
“Harry was a man of boundless charm and curiosity, able to dissect an article, situation or person (me) in a matter of minutes. I will never forget my dinner with him and other judges in The Royal Automobile Club in London, the night Russia annexed the Krim. Harry was the third to find out, the second to call it what it was, and the first to order an extra bottle of wine to ‘tackle this situation properly.'”
– Thomas van Neerbos, European Press Prize Director
From all of his friends here at The European Press Prize:
Your charm, wit, enthusiasm and curiosity will be missed. Thank you, Harry.