The Center for Investigative Journalism of Serbia on their award and country

The judges, chaired by Sir Harold Evans, chose to honour the incredible work and proper journalism done by CINS journalists in Serbia – stories that exposed corruption charges framed and then forgotten: “These revelations fulfil the most basic promise of investigative journalists to their readers: they lift the curtains of corruption and let the light shine in.”

The Netherlands Amsterdam 20 april 2017.
European Press Prize.
Photo: Jan Boeve

 
The European Press Prize bureau spoke to CINS right after the ceremony. We asked them about the media in Serbia and what it means to to win the 2017 Investigative Reporting Award.
 
Could you describe the media landscape in Serbia? 
 
The media landscape in Serbia does not look very good right now, with only a few unbiased and professional outlets left, mostly online. Almost all the money from advertisers goes to those who don’t criticise authorities, or are close to ruling party. At the same time privatisation of local media has failed in many cases, a lot of people have lost their jobs, several media have become extinct. Wages of journalists are low while pressure is high. There are pro-government tabloids which run smear and dirt campaigns against investigative reporters. They can’t contest facts from our stories so they attack us personally, by publishing that we are foreign mercenaries and spies who work only to destroy Serbia. It is all a nonsense but it draws targets on our backs and that is dangerous. This is why we feel that our European Press Prize belongs to the small number of our colleagues outside of CINS as well, as we face the same problems while just trying to do what normally any reporter should be doing.
 
What challenges do you face as an organization uncovering corruption? 
 
The key issue for us is that institutions are closed and do not want to cooperate and provide information. Not all, but many. There is this culture of fear drawn into the ranks of officials and even some experts that they will be fired or punished in some way if they meet with us, so they refuse to talk. Or there is simply loyalty to the ones in power. Police did not give interviews to CINS for more than two years. Public companies and some institutions rather pay fines than submit requested records to journalists. And it’s all taxpayers’ money. This is what we’re dealing with on a daily basis.
 
Why did you enter?
 
We wrote many articles on corruption and organised crime, created two large interactive databases and uncovered wrongdoings of public officials and politicians very often in 2016. And I do not want to sound arrogant, but at the end of the year we were pretty sure we did some really good and important work. Just the amount of time we have invested in stories which were later awarded was incredible. And entering the European Press Prize contest was a good way to test that in front of an independent jury and preparatory committee. We wanted to see how our work looks like in the eyes of people not so familiar with what’s going on in Serbia on daily bases.
 
How did you hear about the European Press Prize and what does winning the award mean to you? 
 
We found out about 2017 European Press Prize contest through several channels, like mailing lists and social networks. But we knew about this award since it was formed – and we have even submitted one or two articles in the past, I think. But this year we decided to send more articles, as it was one of the most productive years in CINS history. It took significant amount of time to prepare applications, but it paid off very well in the end!
 
What impact did winning the European Press Prize have for CINS?
 
It is an acknowledgment to our work, but it also brought a lot of attention to our organisation, locally and internationally. We had an idea of what would we do in terms of marketing and PR if we get the award, but we basically didn’t have to do anything that night. News spread so fast and social networks literally exploded, so we could just sit back, enjoy and let promotion take care for itself. Probably that was the moment when we realised how big is all this for us. Almost all media in Serbia published news about the award so, I guess, a lot of people heard about CINS for the first time. But the big problem we have is that mainstream/pro-government media usually do not want to republish our findings. We would love if only half of those who published the news about the award would republish our next story. Or, to stop acting dead on some of the old ones, like the investigation in which we have proved that Governor of the National Bank of Serbia Jorgovanka Tabakovic has plagiarised more than 20% of her doctoral thesis. It would be a major news anywhere in the world, but not in Serbia.
 
What advice would you give to investigative journalists? 
 
Best advice I can give to other investigative journalists is to continue doing their job best they can, even when it seems it is pointless and nothing can be changed. Actually, investigative reporting matters a lot and it does make a difference. Investing in education is also very important. There are now more programs to work with and learn from reporters from other countries than ever. Use that, learn from others but be open to transferring your knowledge as well.
Pay attention to quality journalism. If you are not sure where to find it, just go on European Press Prize website and check out all the nominees and winners.

Jury Report: who won and who stood out

Report of the jury

THE INNOVATION AWARD:

The Innovation category is basically meant to attract and salute bright new ideas that push the practice of journalism forward. Some of those ideas are technical in a digital world, some financial in a world where journalism has to survive, some are more simply new ways of doing necessary things.

One entry in this year’s category greatly impressed the judges: Tamas Bodoky’s clever interactive map (for Atlasz.hu) that allows readers to play investigative journalists for themselves, following the European Union funds approved for Hungarian use – and seeing what became to them. The judges found it both involving and horrifying.

AND THE WINNER OF THE INNOVATION AWARD

is Christiaan Triebert of the Netherlands

 He wins for his brilliant use of WhatsApp communications between the plotters of the Turkish military coup as they struggled, through one long night of chaos, to make their writ run – and found many simple things going wrong, including traffic jams. Triebert’s work for bellingcat.com received great technical help from inside Turkey. It allows his readers themselves to live through the coup that failed, facing minute-by-minute crises. 

THE COMMENTATOR AWARD:

The judges paid high tribute to A.A.Gill from the London Sunday Times, a feature writer and critic (of food and television) who memorably announced his impending death from cancer in the course of a review of a fish and chip restaurant – and charted the flaws in the treatment he received with passionate honesty. The outpouring of public affection for Gill after he died was a prime example showing how journalists – even one with a cutting pen – can become a part of readers’ lives.

AND THE WINNER OF THE COMMENTATOR AWARD

is Fintan O’Toole of the Irish Times. 

Brexit, together with the spread of political populism throughout Europe, was one of the great opinion themes of the year and provided a fascinating flood of entries examining the national roots of a continent-wide crisis. Fintan 0’Toole, adding the extra dimension of Dublin alarm, wrote a vivid series of commentaries as Britain voted to leave the European Union. The judges hailed his perspective, his acute observation – and the pungent writing style that make this ideas live.

THE INVESTIGATIVE REPORTING AWARD:

There were more entries in this section than ever before. Investigative journalism – whether with the global data reach of the Panama Papers or the poignant personal focus of Bulgarian babes in arms traded to Greek mothers – was alive and vibrant. Two entries pushed the winner close in the judges’ opinion. One – by Rata Mariana in Moldova – was a masterly exposure of official involvement in the trade of Moldovan-manufactured anabolic steroids worldwide. The judges found it a clear, brave and accomplished piece of work. 

  The other close contender, by a reporting team from Ekstra Bladet in Denmark, shows how right-wing movements and their foundations grossly abused the EU system of subsidies, The judges applauded much solid investigative effort from a Danish tabloid paper that got its teeth into a great story and wouldn’t let go. 

AND THE WINNER OF THE INVESTIGATIVE REPORTING AWARD

is the Centre for Investigative Journalism in Serbia.

The judges believe that investigative journalism can help bulwark democracy, sometimes when it exposes global levels of corruption, but sometimes when it brings light and life to local communities. There was open admiration for the unflagging work and range of investigations mounted by CIJ journalists in Serbia – stories that exposed corruption charges framed and then forgotten; cases allowed to sink into the sands of time; a judiciary vulnerable to all manner of official and unofficial pressure; indeed, a legal system that promise justice but too often fails to deliver it. 

     These are revelations of the utmost importance to Serbian society. They fulfil the most basic promise of investigative journalists to their readers: they lift the curtains of corruption and let the light shine in. 

THE DISTINGUISHED WRITING AWARD:

The judges praised a flood of genuinely distinguished writing from all over Europe – and were particularly impressed by Glass Girl from a team at Stavanger Aftenblad in Norway. Here were three reporters detailing the ordeal of “Ida”, the glass girl within the state child welfare system – and forcing the Oslo government to promise that no child will face the same callous problems ever again. A long, meticulous and beautifully written account.

    Last year the judges of the Prize gave a special award to many vivid stories of migrant flight across Europe: the press doing its most basic job. This year the nature of that job had developed. What happened to those refugees? Three nominations provided different answers.

71 Lives by Felix Hutt for Stern in Germany unwound the history and tragedies of 71 migrants suffocated in a sealed lorry on an Austrian motorway: a briefly examined tragedy here returned to and dissected. Felix Hutt puts faces and histories to the corpses in the truck – including women and children who chose this particular route to safety almost randomly.  The best journalism does not forget. 71 Lives is a memorable reminder of innocent people trapped in evil horror.

Step-uncle Sam by Dialika Neufeld for Der Spiegel in Germany looks at what happened to the thousands of unaccompanied child refugees who did make it to safety. Who looks after them, who cares? That, we are told, is a job for a local child protection system – one dramatically overloaded and short of resources. It’s the story of one of these official guardians, Step-uncle Sam, and his absolute inability to be able care for hundreds of children scattered and lonely across the country. The judges found it a beautifully written, compelling and eye-opening account.

The Story of Ahmed and Alin by Claas Relotius for Der Spiegel shows what happens when child refugees don’t make it to Europe but find safety only in Turkey. Ahmed and Alin are orphans, brother and sister separated by war and now forced to scrape a living by working for a pittance in a hostile, bewildering environment. The judges thought it a heartbreaking story, vivid, poignant, human and unforgettable.

They also decided that choosing between these three contenders was both impossible and unnecessary.  

  “They are all, in their brilliant ways, utterly distinguished” 

SO THIS YEAR THE DISTINGUISHED WRITING AWARD

is divided equally between Felix Hutt of Stern, and Dialika Neufeld and Class Relotius of Der Spiegel.

THE SPECIAL AWARD:

  The judges of the European Press Prize are also given the opportunity each year to make a special award to journalists who have performed with particular distinction.

  This year they were struck and heartened by the number of young journalists (under the age of 28) who were entering their work for the prize and displaying rare talent. “This is the future of journalism”, they said. “There may be anxiety over the pace of digital change and growing inability to fund high quality journalism. But there can be no anxiety over the calibre of people deciding to make a career in journalism and, right across Europe, showing exceptional ability”.

 As a symbol of that rising generation the judges selected 23-year-old Irina Tacu, web editor at Decat o Revisita in Romania and one of the team who retold and analysed the tragedy of the `Colectiv night club fire in Bucharest which left 64 people dead – an account that showed how it happened, who was responsible and how deep the shock and suffering throughout Romanian society became. Colectiv is a story of young people dying told by young people. It shows journalism’s way ahead.